![]() Paul Wells, Middle Tennessee State University, USA Scruggs, University of Iowa, USA Chris Stapleton, London, UK Martin Stokes, University of Oxford, UK Jim Strain, Northern Michigan University, USA Rivera, affiliated scholar, Center for Puerto Rican Studies, Hunter College, City University of New York, USAĭai Griffiths, Oxford Brookes University, UK Jocelyne Guibault, University of California, Berkeley Bruce Johnson, University of Turku, Finland Macquarie University, Sydney University of Glasgow, UK ![]() Juan Pablo Gonzalez, Universidad Alberto Hurtado SJ, Santiago, Chile Motti Regev, Open University of Israel, Israel Jan Fairley, University of Liverpool, UK† Paolo Prato, Pontifical Gregorian University, Rome Portia Maultsby, Indiana University, USA Toru Mitsui, Kanazawa University, Japan Svanibor Pettan, University of Ljubljana, Slovenia ![]() Rafael José de Menezes Bastos, Universidade Federal de Santa Catarina, Brazil Richard Middleton, University of Newcastle, UK Nimrod Baranovitch, Haifa University and Hebrew University of Jerusalem, Israel Peter Manuel, City University of New York, USA International Advisors Christopher Ballantine, University of KwaZulu-Natal, South Africa ![]() Principal Editors David Horn, Institute of Popular Music, University of Liverpool John Shepherd, FRSC, Carleton University, Ottawaįounding Editor Paul Oliver, Oxford Brookes University, Oxford VOLUME IX GENRES: CARIBBEAN AND LATIN AMERICA "Relocating Popular Music, a lively and timely contribution to music studies, makes a clear case that we really should be paying more attention to how music, as it is made, transmitted and consumed, plays an important role in power struggles about the meanings of space.POPULAR MUSIC OF THE WORLD VOLUMES VIII–XIII: GENRES Among such studies, this book makes a unique contribution by showing how the 'relocating' of popular music can make its relationship to places all the more significant and multi-faceted." - Andrew Killick, University of Sheffield, UK "Music's apparently increasing freedom from particular places in the Internet era has been accompanied, ironically, by a growth in studies on music's continuing connections to place. Merging theoretical insights and original case studies, the book is a highly welcomed addition to the growing literature on popular music and space, and especially on the ways popular music ushers in aesthetic cosmopolitanism." - Motti Regev, The Open University of Israel, Israel "This collection of articles captures some of the multiple, complex and intricate ways through which the movement of contemporary musical sounds, styles and genres across the globe has an immense impact on notions of identity and their sense of place. ![]()
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